Books
Trilby James

Contemporary Monologues for Women

THE GOOD AUDITION GUIDES: Helping you select and perform the audition piece that is best suited to your performing skills
In this volume of the Good Audition Guides, you'll find fifty fantastic speeches for women, all written since the year 2000, by some of our most exciting dramatic voices.
Playwrights featured in Contemporary Monologues for Women include Mike Bartlett, Alexi Kaye Campbell, Caryl Churchill, Helen Edmundson, debbie tucker green, Ella Hickson, Lucy Kirkwood, Rona Munro, Joanna Murray-Smith and Enda Walsh, and the plays themselves were premiered at the very best theatres across the UK including the National Theatre, the Royal Shakespeare Company, the Bush, Soho and Hampstead Theatres, Manchester Royal Exchange, the Traverse in Edinburgh, the Abbey in Dublin, and many on the stages of the Royal Court.
Drawing on her experience as an actor, director and teacher at several leading drama schools, Trilby James prefaces each speech with a thorough introduction including the vital information you need to place the piece in context (the who, what, when, where and why) and suggestions about how to perform the scene to its maximum effect (including the character's objectives and keywords).
Contemporary Monologues for Women also features an introduction on the whole process of selecting and preparing your speech, and approaching the audition itself. The result is the most comprehensive and useful contemporary monologue book now available.
'Sound practical advice for anyone attending an audition' a source of inspiration for teachers and students alike' Teaching Drama Magazine on The Good Audition Guides
151 printed pages
Copyright owner
Bookwire
Original publication
2014
Publication year
2014
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Impressions

  • Hezmho 3dshared an impression5 months ago
    💞Loved Up

Quotes

  • judehas quoted24 days ago
    Do you; have you ever actually felt any – guilt? Because it’s come as a bit of a surprise that um, that – you, one, I don’t, can’t actually feel it. Like I can’t get my body to do it, on its own, it’s not something I can generate somehow, like, I – I find myself having to actually summon it, trying to encourage myself, to summon it and even then I can’t do it, really, I can’t feel it. I thought it might be shock at first and then – grief or but I think I might not feel it. I can’t. I don’t. All I can feel is total joy, total – peace. I look at you and I sometimes actually make myself think of him, I force him into my head and I don’t feel guilty. What does that mean? What kind of person does that make me? (Pause.) Hm? Sometimes I think it’s because – what we have is love, meant to be. (Laughs.) That we love each other, yes, Mack, that is what I sometimes think. Is that ridiculous? And sometimes I even think that that love is so important that it is bigger, or equal to – what he did. That they are just two feelings, one is love and the other is despair and both just have an action. And that those actions are different but that somehow they are equal – does that make me a monster? I sat at his funeral looking at his parents and Benny but all I could think of, all I could feel – was you.

    But then I look at you and I wonder if it’s actually there. I wonder if I added up the amount of minutes, hours, fucking days I have spent thinking about you, the amount of fucking longing I have done – if I added that up and weighed it against anything you have ever actually said… and – (Pause.)

    But then you do the smallest thing you make me a cup of tea when I don’t ask, or you touch my hand really lightly in a room full of people and I think no, Sophie, don’t laugh – don’t laugh because it’s real and it’s so much more real because it’s unsaid and unspoken and un – un – un – it’s so much more real because I can’t touch it, because we can’t say it and I can’t see it, it’s so much more real because I don’t know if it’s there.

    Pause. MACK doesn’t say anything.

    Please say something. (Pause.) Please. Please tell me if…

    She trails off unable to try any harder.
  • Александра Нестеренкоhas quoted2 months ago
    clue. And I feel… […] Sad. No, not sad. Worse than sad… I feel… […] Disappointed
  • Ivana Reynosohas quoted5 years ago
    Perve
    Stacey Gregg

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